Why does everything have to be “_____ of mystery?” The “Book of Mystery.” The “Cat Hair of Mystery.” The “Discarded Mitten on the Side of the Highway Mystery.” 1 Lost Grimoires 2: The Shard of Mystery leaves little mystery or, for that matter, shards, for the player to suss out. In the opening scene (I never skip scenes) we’re reminded that the evil Drosera, mostly malicious at her malevolent moniker, will find her vengeance against the King and his son for imprisoning her in a mirror. Here is where we are introduced to the mystery of the shard as we see a pair of child’s hand picking up the piece of the broken mirror that has fallen away. Why a magical mirror containing and evil priestess could be accessible to children is a discussion for another day. 2
Lost Grimoires 2: The Shard of Mystery is a pretty standard casual adventure game, filled with the occasional HOG and combination puzzles that have become standard in the genre. The game also features what looks to be an underutilized alchemy system that, at least in the demo, is only used thrice. The voice acting ranges from okay to annoying (especially with the prince) but he grows up soon enough and you’ll be rid of that meddlesome cloying chirp. The background music in Lost Grimoires is also among the highlights of the game, though unfortunately it emphasizes the clunkiness of the sound effects during game play. With such urgency in the story line – save the Prince! – it’s a shame that I wouldn’t have found an ill-placed “SPROINGGGG!” out of place.
The mirror imagery isn’t to be ignored. A well-known trope of fairy tales, mirrors are often associated with women, typically women of power. In the patriarchal rewrites of most folklore3 this was meant to connect vanity with evil; self-reflection with ambition. Women, in these rewrites, are to be submissive and uncaring of their own beauty. Oh, they absolutely must posses beauty, but they must be completely unaware of it and unwilling to maintain it, even though it must persist. Drosera’s graying hair, her powerful aura, her villainous up-do, all signal to an aging woman desperate to hold onto power through sorcery, since the beauty of youth has faded. When all your princesses are young, what’s a mature woman to do? Also, notice that there is no queen in this story. Older women are to be distrusted, unless you are the protagonist of this game, the royal medic (whose name I have forgotten), yet that only reinforces my point. As the good older woman, your job is to serve and be invisible. As the playable character you never get to see yourself (at least in the demo), no matter how close you stand to the mirror. Only Drosera can be seen reflected. Perhaps she’s there as a reminder of what happens to women when they become ambitious.
One of the best comments I can give to Lost Grimoires is that I was so bound up in progressing that I forgot to take regular screenshots, yet that also may exaggerate my enjoyment. While the garden maze and exposition puzzles were interesting, Lost Grimoires 2: The Shard of Mystery is still not the game to shatter this genre. The search continues.